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Diana Scherer – La lumière dans les filets
29.05 – 27.09
Saint-Nicolas Church, Caen
curator Philippe Platel
Created for Normandy Impressionist 2026, this exhibition reflects on our contemporary relationship with the plant world, poised between freedom and control, nature and artifice.
The festival theme, A Possible Garden, finds a particularly strong resonance here. Scherer’s garden is neither ornamental nor domesticated. It emerges from a slow, patient process in which roots become lines, patterns, and surfaces. Rather than shaping vegetal matter directly, the artist creates the conditions for its growth and guiding.The living organism acts, resists, negotiates. The artwork arises from this tension.
In Diana Scherer’s work, this ambivalence is reactivated with contemporary urgency. Her pieces materialize an in-between state: neither pure nature nor total artifice. Constrained by structures devised by the artist, roots generate forms that recall textiles and architecture as much as drawing or cartography. Installed within the sacred space of Saint-Nicolas Church, these works take on a contemplative dimension. They invite viewers to slow down, to observe what grows beyond immediate human control. This reflection resonates powerfully today, in an era marked by the over-management of the living world: artificial soils, standardized plants, controlled and optimized landscapes, often stripped of their capacity to surprise. In response to this impulse toward excessive control, the artist suggests another path one of dialogue, partial surrender, and trust in natural processes.
https://www.normandie-impressionniste.fr/evenement/the-light-in-the-nets/
Ai Weiwei, Céleste Boursier-Mugenot, Fujiko Nakaya, Jacques Perconte, Julien des Monstiers, Lionel Sabatté, Mika Ninagawa, Noémie Goudal, Sarah Moon, Diana Scherer, Studio Drift, Tanja Smeet,
