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APICAL
26 Oktober – 14 December 2024
https://www.instagram.com/diana__scherer/
Opening Saturday 26 oktober 17.00-19.00
https://andriesse-eyck.com/exhibitions/101
Leliegracht 47 Amsterdam
Manifesta 15 Metropolitana September 8th 2024
https://www.manifesta15.org/organisation?category=5&page=events-slug&slug=yield
https://www.instagram.com/diana__scherer/p/C_nrY0Ho_DN/?img_index=1
Commissioned by Manifesta 15 Barcelona Metropolitana
Supported by Mondriaan Fund and the Embassy of the Kingdom of the Netherlands to Spain
Many thanks for all support Colin Huizing and Museum Kranenburgh
Der Wald und Wir -Arte Television about the exhibition Into the Woods at Kunsthaus Wien and the work of Rodrigo Arteaga, Julian Charrière, Marieken Verheyen, Diana Scherer and Isa Klee.
Arte TV – Twist
Climate Biennale Vienna April 5th 2024
Into the Woods – Kunsthaus Wien Museum Hundertwasser curator Sophie Hasslinger April 5th 2024
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Farming Textiles 2023 -2024 Museum Kranenburgh
Avro Tros Kunst. Nu te zien!
https://npo.nl/start/serie/nu-te-zien/seizoen-8/nu-te-zien_49/afspelen
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Farming Textiles at Museum Kranenburgh has been included in the list of best exhibitions of 2023 by Dutch newspaper De Volkskrant.
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About Giants, Gaia Dresses and Anti-Symbiosis
A conversation by Herbert Kopp-Oberstebrink
The art of Diana Scherer (*1971) makes the invisible visible and in the process reverses the grown orders of above and below. For example, she shows roots resting on a bale of earth at the top, while blades of grass lie at the bottom. Initially, she is intensively concerned with the material aspects of art. Over the last ten years, her preferred materials have been various types of grass, mostly oats, maize or wheat, earth, water and plastics. With the help of science, Scherer researches the growth and growing conditions of grasses and cultivates them in greenhouses. Cultivation – in its old sense of cultivation and care – does not mean allowing, but rather disciplining and shaping. Scherer also demonstrates this and thus takes us back to the beginning of human culture and civilisation. But what has grown naturally and cultivated is only one domain of her art. She goes one step further and reminds us that our dissecting-curious gaze presupposes a rupture, a damage, be it of the grown form (grass field), be it of the cultural form (vases) – a killing of the natural. Scherer’s artistic practice follows an aesthetic of interaction, and this in several respects: the interaction of natural growth processes and human interventions, of natural and culturally shaped materials, of natural forms and art forms, of art and scientific material research, botanical expertise, horticultural practice.
https://www.kunstforum.de/artikel/diana-scherer/
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Cultureel Supplement NRC
Lucette Ter Borg about the exhibition Farming Textiles in Museum Kranenburgh.
Dutch Television Avro Tros Kunst. Nu te zien!
https://npo.nl/start/serie/nu-te-zien/seizoen-8/nu-te-zien_49/afspelen
Volkskrant by Janna Reinsma *****
Trouw by Joke de Wolf
Radio
Nooit Meer Slapen
Springvossen