The work of German-born artist Diana Scherer explores what she calls “the dynamics of belowground plant parts.” She uses plant roots themselves as a medium for creating patterns and networks, the purpose of which is to suggest overlaps between human technological activity and the embodied “intelligence” of living botanical matter. “This buried matter is still a wondrous land,” she writes. The results are incredible. They feature roots woven like carpets or textiles, imitating Gothic ornament with floral patterns and computational arabesques underground. Compare Scherer’s work, for example, to traditional Gothic plant ornament—that is, geometric shapes meant to imitate the movements and behaviors of plants—but here actually achieved with plants themselves. Scherer calls this “root system domestication,” where, on the flipside of an otherwise perfectly “natural” landscape, such as an expanse of lawn grass, wonderfully artificial, technical patterns can be achieved. The idea that we could grow biological circuits and living rootkits is incredible, as if, someday, electronic design and gardening will—wonderfully and surreally—converge. You simply step into your backyard, exhume some root matter as if harvesting potatoes, and whole new circuits and electrical networks are yours to install elsewhere. After all, the soil is already alive with electricity, and plants are, in effect, computer networks in waiting. Scherer’s work simply takes those observations to their next logical step, you might argue, using plants themselves as an intelligent form-finding technology with implications for the organic hardware of tomorrow.